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September 20, 2010

American Impressionist Painter Willard Leroy Metcalf

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Willard Leroy Metcalf (July 1, 1858 – March 9, 1925) was an American artist. Born at Lowell, Massachusetts, he was a pupil of the Massachusetts Normal Art School, of the School of the Museum of Fine Arts, Boston, and of the Académie Julian, Paris. After early figure-painting and illustration, he became prominent as a landscape painter. He was one of the Ten American Painters who in 1897 seceded from the Society of American Artists. For some years he was an instructor in the Womans Art School, Cooper Union, New York, and in the Art Students League, New York. In 1893 he became a member of the American Water Color Society, New York. Generally associated with American Impressionism, he is also remembered for his New England landscapes and involvement with the artists’ colony at Old Lyme, Connecticut. Born into a working-class family, Metcalf began painting in 1874. In 1876 he opened a studio in Boston, and received a scholarship at the Boston Museum school, where he studied until 1878. In 1882 he held an exhibition at the J. Eastman Chase Gallery in Boston, the sales from which financed a study trip abroad. Metcalf left for Europe in September 1883, and did not return to the United States until late 1888. During that time he traveled and painted, studying first in Paris with Gustave Boulanger and Jules-Joseph Lefebvre, subsequently going to England and Pont-Aven, Brittany.

List of Oil Paintings:

April 12, 2009

Monet Church at Vetheuil, Snow

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Claude Monet Church at Vetheuil, Snow

Claude Monet Church at Vetheuil, Snow

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March 31, 2009

Another Biography of Vincent van Gogh

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"Vincent van Gogh was born near Brabant, the son of a minister. In 1869, he got a position at the art dealers, Goupil and Co. in The Hague, through his uncle, and worked with them until he was dismissed from the London office in 1873. He worked as a schoolmaster in England (1876), before training for the ministry at Amsterdam University (1877). After he failed to get a post in the Church, he went to live as an independent missionary among the Borinage miners.

"He was largely self-taught as an artist, although he received help from his cousin, Mauve. His first works were heavily painted, mud-colored and clumsy attempts to represent the life of the poor (e.g. Potato-Eaters, 1885, Amsterdam), influenced by one of his artistic heroes, Millet. He moved to Paris in 1886, living with his devoted brother, Theo, who as a dealer introduced him to artists like Gauguin, Pissarro, Seurat and Toulouse-Lautrec. In Paris, he discovered color as well as the divisionist ideas which helped to create the distinctive dashed brushstrokes of his later work (e.g. Pere Tanguy, 1887, Paris). He moved to Arles, in the south of France, in 1888, hoping to establish an artists’ colony there, and was immediately struck by the hot reds and yellows of the Mediterranean, which he increasingly used symbolically to represent his own moods (e.g. Sunflowers, 1888, London, National Gallery). He was joined briefly by Gauguin in October 1888, and managed in some works to combine his own ideas with the latter’s Synthetism (e.g. The Sower, 1888, Amsterdam), but the visit was not a success. A final argument led to the infamous episode in which Van Gogh mutilated his ear.
"In 1889, he became a voluntary patient at the St. Remy asylum, where he continued to paint, often making copies of artists he admired. His palette softened to mauves and pinks, but his brushwork was increasingly agitated, the dashes constructed into swirling, twisted shapes, often seen as symbolic of his mental state (e.g. Ravine, 1889, Otterlo). He moved to Auvers, to be closer to Theo in 1890 - his last 70 days spent in a hectic program of painting. He died, having sold only one work, following a botched suicide attempt. His life is detailed in a series of letters to his brother (published 1959)."

- From The Bulfinch Guide to Art History

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  • March 29, 2009

    Claude Monet Gondola in Venice

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    Claude Monet - Gondola in Venice

    Painting: Gondola in Venice
    Artist: Claude MONET
    Year: 1908
    Medium: Oil on Canvas
    Musée des Beaux-Arts de Nantes, France


    March 26, 2009

    Van Gogh: Oleanders

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    Painting: Oleanders (Still Life - Vase with Oleanders and Books)
    Artist: Vincent van Gogh
    Medium: Oil on Canvas
    Size: 23.75×29”
    Year: 1888

    Van Gogh painted quite a few floral still lifes over the course of his decade-long career. Here he pairs a jug of exuberant oleanders with a paperback copy of Emile Zola’s Joie de Vivre, which had been published four years earlier.

    February 28, 2008

    Thomas Eakins with His Boat Paintings

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    Thomas Eakins (1844-1916) studied in Paris in the 1860s. He has absorbed many art styles there. Eakins is famous with paintings of boat racers. In The Biglin Brothers Racing, he captures a sense of cinematic action. You feel the strength of the rowers, yet the surrounding scene is peaceful.

    Eakins was a very versatile master of many genres. His Agnew Clinic, a painting of a surgical operation performed on a woman before the auditorium of by medical students is a probing study of human character. He examines the personalities of the medical students as carefully as the surgeons examine the body on the operating table.

    February 14, 2008

    Paul Gauguin with the “Noble Savage”

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    Influenced by Jean-Jacques Rousseau’s back-to-Eden philosophy: “Man was born free, and he is everywhere in chains. Those who think themselves the masters of others are indeed greater slaves than they”, Paul Gauguin (1848-1903) tried to return to the primitive state through art to find the “noble savage” or natural person.

    Gauguin considered the life in Europe is “artificial and conventional… In order to do something new we must go back to the source, to humanity in its infancy.” Eventually, he went to Tahiti to seek the noble savage.

    The concept of the noble savage, man living in harmony with nature, was popular in the 18th century. According to the concept, man shall not be corrupted by civilization. Jean-Jacques Rousseau supported the idea, though he never actually used the term. In Emile, he wrote: “Everything is good in leaving the hands of the creator of things; everything degenerates in the hands of man.”

    February 11, 2008

    Head for West with Albert Bierstadt

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    Albert Bierstadt (1830-1902) was born in Solingen, Germany; grew up in New Bedford, Massachusetts; went back to Germany for four years to study painting; and returned to the United States to paint. Bierstadt is famous with spectacular mountain scenery. He often went to treacherous and dangerous locations to made sketches and took photos of the scene. From these photos, he painted his awe-inspiring landscapes. Bierstadt once headed west with an expeditionary party in 1859 and, in the summer of 1861, took sketches of Eastern Shoshone country in the Wind River region of Wyoming.

    In The Rocky Mountains, Lander’s Peak Bierstadt focuses on the natural sunlight on the scenes. Although Native Americans and animals populate the foreground and middle ground of the painting, they do not dominate on the painting - they’re simply local color and ambience. It’s the light in the painting that has personality. Bierstadt was in favor of the long, wide shot rather than intimate close-up.

    January 14, 2008

    Impressionism

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    In 1874, a group of young artists whose work had been rejected by the stuffy Salon survey that the Paris art would mounted every year decided to go it on their own. From April 15 to May 15, 1874, they held their own exhibition at the studio of the photographer Nadar, which had become a well-known hangout for bohemian celebrities. The artists in this first official Impressionist exhibition were Paul Cezanne, Edgar Degas, Arman Guillaumin, Claude Monet, Berthe Morisot, Camille Pissaro, Pierre Auguste Renoir, and Alfred Sisley. They name themselves the Societe Anonyme, but the satirical journalist Louis Leroy, writing in the April 25 issue of the magazine Le Charivari, mockingly called the artists “impressionists,” after Monet’s painting Impression, Sunrise (1872).

    When the Impressionists came along, the Paris art scene was dominated on the one hand by pictures of phony Neoclassic nobility and on the other by corny Romantic melodrama. It was all soap opera as subject matter, and the Impressionists were having none of it. They tossed out literary subjects, mythology, and the grand themes of history. They abandoned contour, modeling, and precise detailing. They even gave that celebrated mainstay of art, imagination, the old heave-ho, or so they said, concentrating instead on the close observation of nature. They didn’t just look at stuff. They were scientists examining visual phenomena.

    And instead of faking it in the studio with models and sketches, the Impressionists took their easels out and painted in the open air (called plein air in French). They painted in the forests of Fontainebleau, at the Seine, and on the Channel beaches. In this they were following the example of the earlier Barbizon School landscapists, a group of painters who rejected the by-then tired classical stylistic formulas in favor of the direct study of nature.

    While the Barbizon school landscapes expressed the solitude and quiet of nature in misty shades of gray, green, and earth tones, the Impressionists favored highly colored, light-filled scenes, often popular with picnickers, boaters, and a range of everyday people, frequently seen relaxing on their day off. The painters Renoir and Monet, in their attempt to capture the visual effects of sparkling sunlight in the open air, discovered the technical secret of Impressionism: marks of pure color placed side-by-side to achieve brilliance and luminosity. The Impressionists all but banished brown and gray from their palettes and went so far as to use color to create shadows. What’s more, they didn’t smooth over the marks of their brushes but emphasized bold and forceful brush-strokes to give their pictures the dynamism of nature.

    The Impressionists exhibited together eight time from 1874 to 1886. But long before the group broke up, its individual members had matured and begun to travel their own particular artistic paths.

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    January 3, 2008

    A Brief Introduction of Vincent Van Gogh

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    When I saw Vincent Van Gogh’s painting “Sunflowers“, I was attracted by its bright colors and the flowers full of vitality. Van Gogh had painted several sizes of “Sunflowers”, and the 15 flowers are the most famous paintings. He threw his own deep feelings into his painting heart and soul.

    van gogh - Self Portrait 1 van gogh - starry night van gogh - sunflower

    Vincent Van Gogh, a Dutch painter. He was born in 1853 and departed in 1890. He is a representative of the Post Impressionism. Most casual art lovers see Van Gogh as a troubled, but successful artist. This is far from the actual truth of his turbulent life.

    Van Gogh was born in a small town of Netherlands in 1853. His mother lost a son in 1852 and was deeply grieved. Van Gogh’s birth couldn’t appease the grief in her mother’s mind. However, mother passed on the love of the land to Van Gogh. She taught the children sketches and watercolors, she was Van Gogh’s first art teacher. Van Gogh’s childhood memories were filled with deep sorrow and depression. However, his 4-years-younger brother, Theo Van Gogh, was the only warmth and hope in Van Gogh’s life, and even death could not block the link between them.

    Because of poverty, 16-year-old Vincent became a probationary staff of a gallery and then he worked as the gallery shop assistant in London and other places. It is because there were a large number of famous works of art that trained Gogh painting techniques and artistic accomplishment. At the age of 25 he was working as a missionary in Belgium mine, but later, he was forced to leave because of his sympathizing with the poor workers. From 16 years old to 26 years old, Gogh experienced emotional and mental setbacks. These impelled him to develop a sensitive, strong and twisted character.

    In 1880, it was at his 27′ s after church, he determined to start painting. He would use his paintbrush to propagandize the natural beauty and dignity of workers brilliant continually. His dear brother Theo supported him in financial assistance and encouraged him in spirit.

    In March 1886, Van Gogh Settled in Paris , he painted with impressionistic painters. Van Gogh was a warm person. In destitute circumstances, he welcomed the arrival of Paul Gauguin by painting “Sunflowers” and strongly hoped that Gauguin would set up a studio, where they could explore the arts. Vincent was very sensitive, when an argument on art concept broke out between Gauguin and him, he almost killed Gauguin. The most admiring friends left, Van Gogh cut off his ear in pain and painted the sad state of himself ( Self Portrait with Bandaged Ear and Pipe and Self Portrait with Badaged Ear )

    During his 1887 to 1888’s, he painted a lot of self-portraits. Because he always suffered double torture in physical and mental, and lonely life made him have more time to examine himself. His self-portrait was a recording, either in happiness or pain. You can see the efforts to strengthen his faith in his blue eyes.

    On 8 May 1889, Van Gogh received treatment in the mental hospital of Saint-Paul-de-Mausole , a little less than 20 miles ( 32 km ) from Arles . The hospital was a mile and a half out of the town and was in an area of cornfields, vineyards, and olive trees. During his stay there, the clinic and its garden became his main subject. At this time some of his work was characterized by swirls, as in one of his best-known paintings, The Starry Night. He took some short supervised walks, which gave rise to images of cypresses and olive trees. In September 1889 he painted two new versions of the Bedroom in Arles (Vincent’s Bedroom in Arles 2 and Vincent’s Bedroom in Arles 3 ) .

    One of his last paintings which he completed in late July 1890 titled “Wheat Field With Crows” reflects an ambivalence of optimism and hopelessness with the dark clouds of depression slowly lifting up from the skyline. A few days after he finished this painting, Vincent Van Gogh, on July 27, 1890, killed himself with a gunshot to the chest. His brother Theo died of lung disease 6 months after the death of Vincent.

    Although he only sold one painting during his life-time (The Red Vineyard), he is considered the most powerful Expressionist, and his paintings each sell for millions of dollars. Ironically, Vincent Van Gogh is deemed by society to be one of our greatest and most successful artists.

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